Edwin diaz entrance music8/17/2023 ![]() ![]() ![]() Díaz issues precious few walks (2.4 per nine innings), and only the sporadic home run-he’s allowed three-allows hitters even a shred of hope. That would be the second-best in MLB history, a shade behind Craig Kimbrel’s 2012 with the Atlanta Braves. His fielding independent pitching number, an ERA analog that strips out everything but the strikeouts, walks, and home runs a pitcher directly controls, is 0.82. If Díaz stayed there all season, it’d be the highest single-season figure in the recorded history of the majors, according to Stathead (minimum 40 innings). He is striking hitters out at a rate of 18.1 per nine innings. Louis Cardinals’ Ryan Helsey at 0.79) Where Díaz stands apart from everyone else is in how purely unhittable he is on an at-bat to at-bat basis. Raw earned-run average doesn’t quite capture it, as Díaz’s 1.39 figure is of course excellent but does not even lead the league this year. Every time it’s played at Citi Field, it’s a party. But in a vacuum, Díaz in the first four months of the 2022 season has arguably been the most dominant pitcher in Major League Baseball’s history. Diaz’s bullpen entrance already set the world on fire and is one of the all-time best entrance songs used by a reliever. That Rivera and Hoffman managed such longevity (19 seasons for Rivera, 18 for Hoffman) is why they were so special. Nothing lasts forever, and in the life of a closer, greatness can last about 13 seconds. In yet another feat, he even makes it hard not to feel fuzzy about the Mets. There will never be another Rivera, but at least in the entrance music department, Díaz has given Flushing a great answer to the Bronx legend. He is intoxicating to watch and, in a different way, intoxicating to try to hit. In another way, he is the opposite of a throwback, because there have been very few pitchers who can approximate what Díaz has been doing in 2022. In one way, Díaz harkens back to a time of cult-hero closers who became their own baseball brands on the strength of not just performance, but vibes. The whole experience is enamoring, both because of what’s old and what’s new about it. Thousands of fans hold up their phone cameras and clap along, united by great brass and the knowledge that they are about to watch a world-class artist whose brushes are a wipeout slider and a 99-mile-per-hour fastball. ![]() Met mime into their own trumpets as they stand on top of a dugout. I cannot imagine the shivers it must create in person. ![]() It is an emotional event to watch a Díaz entrance at Citi Field on one’s phone. With a healthy Jacob deGrom and Max Scherzer, New York has the pitching to make a run.Sound 'em. While it doesn’t quite have the intimidation factor of Enter Sandman, it’s a close second in terms of New York baseball warmup songs.Īs it turns out, not a bad category to be in second place in. The full song can be heard here, via YouTube.Įven we have to admit it’s catchy. Narco Timmy Trumpet: Listen to the full song In the end, the schtick worked, as Diaz shut down the Dodgers en route to a 2-1 New York victory over arguably the best team in all of baseball. Now, after five years, it’s rising up again.” “Usually when you release a track…it needs like a half-year or year maximum. “It’s really out of this world basically, especially since it’s a track that’s been out for five years already,” Jongkind (the second half of Blasterjaxx) said. The group which performs the song, Blasterjaxx, had been trying to arrange a visit for quite some time, as they were contacted by New York months ago. ![]()
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